I’m pleased to announce the unveiling of the cover for DELILAH, MY WOMAN, as well as a new sample you can read before you subscribe to the e-mail newsletter. Please be sure to sign up for updates. I promise I won’t flood your inbox, but surely you want to know when you can finally meet Richard, just the way Delilah did. Click the cover below to subscribe, and get to
Brilliant article I just had to share. Very fascinating story.
We’ve all got dreams, but especially writers. Even if they don’t directly entertain them, or they’ve buried them, or they’re cynics or realists or whatever reason they have–even they have a private space in the very back corner of the brain, home of the What-If. Sometimes they catch the What-If behind them in the mirror while they shave. Sometimes the What-If drifts beside the bus or train window. Sometimes the
In Act II, Chapter 11, if you put on the overture of Wagner’s Tannhäuser right when a particular character does, it perfectly matches the text as background music through the end of the chapter. Pretty pleased to have discovered this in editing. I feel like, novels being literary works and relying so much on description, the ones that enrich us most are ones which cite their sources, as it were.